A foundation in graphic design that supports structured thinking, scalable systems, and real-world execution across digital and print environments.
Designing beyond static—integrating interaction into both digital and physical experiences.
Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
developing cohesive brand systems across digital and print
establishing visual hierarchy, typography, and color standards
ensuring consistency across campaigns, platforms, and touchpoints
translating brand strategy into scalable design assets
designing multi-channel campaign assets (social, email, web, print)
creating visually consistent and goal-driven marketing materials
adapting creative across formats while maintaining brand integrity
supporting engagement through clear, structured visual communication
extending interaction principles beyond digital into non-traditional formats
applying UX principles to layout, readability, and user flow
creating responsive and adaptable digital assets
collaborating with developers through structured design handoff
accounting for screen positioning and user interaction zones in layout decisions
social media and campaign asset design
email marketing design (Constant Contact, Mailchimp)
digital advertising and promotional graphics
template-based website and content design
designing physical materials with interactive and experiential intent
designing print-ready materials with production accuracy
preparing files for press, packaging, and large-format outputs
working within dielines, specifications, and physical constraints
ensuring quality, consistency, and brand alignment in final output
building scalable asset systems for efficient production workflows
managing file organization, versioning, and cross-platform consistency
packaging and large-format design
ensuring pixel-perfect execution across digital and print deliverables
working within regulatory, brand, and technical constraints
supporting QA, routing, and final delivery processes
visual storytelling techniques
typography, layout, and grid systems
visual hierarchy and composition
color theory and brand application
branding and identity development
Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
creating training guides and instructional materials
documenting workflows and design processes
supporting onboarding and team knowledge-sharing
HTML/CSS editing for layout and styling
structuring content for usability and readability
adapting designs across digital and web platforms
SurveyMonkey & SmartSurvey (advanced logic, survey structuring, and user data collection)
Constant Contact & Mailchimp (email design, campaign setup, and audience segmentation)
Social media content creation, scheduling, and platform management
photography for marketing and brand use
photo editing and retouching
creating original visual assets and supporting imagery
using AI tools for ideation, research, and efficiency
integrating AI into creative and production workflows
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Highlights
De-facto UX Designer for Studio department
Development of internal company training materials core programs skills
(Figma, Slido, Survey Monkey, Logic Mapping & Programming, Adobe XD, Asset usage demonstration)
Develop utilization documents to propose use of technology integration to design materials (both print and digital) on client colateral across brands
Conduct first mechanicals, maintenance & edits, asset preps, disk releases & final routing documentations, mock-ups, and interactivity
Contribution on increased internal process efficiency
Member on the internal social media planning and development team
Member on “Figma Task Force” - an internal team, paving the education & transition across departments in program efficiency
UX management and design of internal and client surveys and quizzes
Digital asset management with multi-departmental development and brands
Project Types
Print & Digital Collateral: Mechanicals, Edits, & Disk Release/Finals; Asset-preps for Websites, Animated/Static Banner Ads, Applications, Social Media, & Emails; Routing Documents, Screenshot and Mock-up documentation; Schematics & Directives; Trade Show Materials; PowerPoints & Training Education Materials; Print & Interactive/Fillable Forms; Skip Logic Programming & Logic Maps; Social Media Content; Quizzes and Interactive Surveys; UX and Programming Build
Technology
Photoshop, Illustrator, InDesign, Figma, AI, XD, Acrobat, PowerPoint, Microsoft Office, Microsoft Forms, Smart Survey, Survey Monkey, Miro, Slido
Collaborated as a marketing voice on the Advisory Board to enhance school enrollment and fundraising
Conducted SEO analysis to improve search clarity on social platforms within the community
Developed a comprehensive advertising plan that contributed to winning the gold medal for the Best of Essex Awards; earning the school a 10% enrollment increase the following year
Spearheaded the initiative to establish an independent internal creative marketing team for securing grants and funding
Graphic Designer for print and digital media
Conceptualize and design email marketing campaigns
In-house and event photography for media and websites
Creating visual collateral and copywriting for social media accounts
Project Types
Print Collateral, Surveys, Websites Edits, Emails, Photography, Social Media, Research, Copywriting Technology: Photoshop, Illustrator, InDesign, XD, Acrobat, DSLR Camera, Constant Contact, Mail Chimp, Social Platforms: Facebook, LinkedIn, X (formerly known as Twitter), and Instagram
Graphic Designer for print and digital media
Conceptualize and design email marketing campaigns
Creating visual collateral and copywriting
Project Types
Print Collateral, Surveys, Websites Edits, Emails, Photography, Social Media, Research, Copywriting Technology: Photoshop, Illustrator, InDesign, XD, Acrobat, DSLR Camera, Constant Contact, Mail Chimp, Social Platforms: Facebook, LinkedIn, X (formerly known as Twitter), and Instagram
Create and update designs for print and digital collateral for client events, emails, media, and websites
Brainstorming and conceptualizing new ideas for social media campaigns
Project Types
Print Co-lateral, Websites Assets, Social Media Content Technology: Photoshop, Illustrator, InDesign
Hightlights
Graphic Designer for print and digital media
Conceptualize and design email marketing campaigns
In-house and Product photography
Creating visual collateral and copy writing for social media accounts, co-creation, edits, and maintenance of digital art and assets for websites and media
Project Types
Print Co-lateral, Product Labels and Packaging, Ads, Assets, Logos, Tradeshow Materials, E-blast Images, Website Assets, Product Shots and High-end Photo Retouching, Internal Photography for social media and website, SEO Reports and Analytics, Assist in Copy Writing, Research, Back-end Website Editing, Social Media Content Copyrighting, Image Creation, Monitoring, and Maintenance
Technology
Photoshop, Illustrator, InDesign, Acrobat, Dreamweaver, WordPress, SquareSpace, DSLR Camera, Google Analytics.
Social Media
Management for company and client accounts, conducting research and content generation, digital art creation (such as weekly posts, banners, calendar, and status updates), continuous account maintenance and monitoring, scheduling content, and account analytic reports and optimizing growth. Focusing on Facebook, Twitter, LinkedIn and Instagram) (utilizing Hootsuite) Social Media
Accounts Managed
Cerami Worldwide Communications, Parker Labs, The Lamplight, and Ben's Bombs
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Digital Art I
• Code, Credits Earned, & Grade:
AR-220 / 3.00 / A-
Typography I
• Code, Credits Earned, & Grade:
AR-248 / 3.00 / B+
Graphic Design I
• Code, Credits Earned, & Grade:
AR-224 / 3.00 / A-
Digital Photography I
• Code, Credits Earned, & Grade:
AR-229 / 3.00 / A-
Digital Imaging
• Code, Credits Earned, & Grade:
AR-350 / 3.00 / A-
Typography II
• Code, Credits Earned, & Grade:
AR-358 / 3.00 / A-
Digital Photography II (Independent Study)
• Code, Credits Earned, & Grade:
AR-308 / 3.00 / A
Graphic Design II
• Code, Credits Earned, & Grade:
AR-348 / 3.00 / A
Web Design I
• Code, Credits Earned, & Grade:
AR-357 / 3.00 / A
Identity Design
• Code, Credits Earned, & Grade:
AR-339I / 3.00 / B+
Field Internship I
Cerami Worldwide Communications
• Code, Credits Earned, & Grade:
AR-487 / 3.00 / A
World Art I
Writing Intensive
• Code, Credits Earned, & Grade:
AH-212 / 3.00 / A-
World Art II
• Code, Credits Earned, & Grade:
AH-215 / 3.00 / A-
Modern Art
• Code, Credits Earned, & Grade:
AH-214 / 3.00 / A-
Design History
• Code, Credits Earned, & Grade:
AR-206 / 3.00 / A-
Drawing I
Code, Credits Earned, & Grade:
AR-111 / 3.00 / A-
2D design
Code, Credits Earned, & Grade:
AR-131 / 3.00 / A
3d design
Code, Credits Earned, & Grade:
AR-118 / 3.00 / A-
Color Theory
Code, Credits Earned, & Grade:
AR-204 / 3.00 / A
Painting I
Code, Credits Earned, & Grade:
AR-280 / 3.00 / B+
Sculpture
Code, Credits Earned, & Grade:
AR-250 / 3.00 / A-
Life Drawing & Anatomy
• Code, Credits Earned, & Grade:
AR-227 / 3.00 / A
Junior Comprehensive
• Code, Credits Earned, & Grade:
AR-310 / 3.00 / A
Mediated Identities: Experience & Understanding
• Code, Credits Earned, & Grade:
AH-210 / 3.00 / A
Intaglio / Print Making
• Code, Credits Earned, & Grade:
AR-315 / 3.00 / A-
Video Recording / Interview
“The Dominican Sister’s Oral History Project”
Indenpendant Study
• Code, Credits Earned, & Grade:
AR-499 / 3.00 / A
Senior Seminar
• Code, Credits Earned, & Grade:
AR-455 / 2.00 / A
Advanced Portfolio Design
• Code, Credits Earned, & Grade:
AR-437 / 3.00 / A
BFA Thesis & Exhibition
• Code, Credits Earned, & Grade:
AR-466 / 4.00 / A
Link to Caldwell University’s Course Description Page
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GPA 3.86
Visit "Caldwell Success Stories"
Issued by the The Department of Visual Art & Design faculty, Kappa Pi is an international honor society with 100 years of history and recognition. It supports and recognizes excellence in talent and creativity, determined after review portfolios by te art department faculty.
Eligibility Requirements:
completion of 12 semester hours in art
attainment of an overall B average in all art courses
an overall academic average of a C
produce outstanding artwork
The Beta Delta Chapter of Delta Epsilon Sigma is a national scholastic honor society for students of colleges and universities with a Catholic tradition.
View details
Eligibility Requirements:
Undergraduate Students
Completed at least 60 credits towards their baccalaureate degrees
Minimum overall GPA of 3.60
Earned partial Art Department Scholarship
View Scholarship Credentials
The Division 2 Athletics Directors Association’s Academic Achievement Awards. A program that recognizes the academic accomplishments of student-athletes at the Division II level.
For a student-athlete to receive an Academic Achievement Award, they must have a cumulative grade point average of 3.5 or higher on a 4.0 scale, have attended a minimum of two years (four semesters) of college level work and have been an active member of an intercollegiate team during his/her last academic year.
View details
Four-year / Eight-semester
Dean’s List Scholar & Student Athlete of Track and Field
The “SisterStory” oral history project at Caldwell University
View details
Make it stand out
Whatever it is, the way you tell your story online can make all the difference.
My Senior Thesis Exhibition theme and topic, was something that I have be thinking about since it was first explained to me in my Freshman year at Caldwell University. As I started my classes, I considered what kind of skills I could push forward with, and how can I challenge myself with them. Over the course of the next three years I knew that I was going to find a way to incorporate cut-paper (using an x-acto knife) into my exhibition work. The struggle of this, however, was trying to merge it with my major in graphic design. During my junior year when I started to take photography courses, it all came together. Not only was this the start of my fascination with shadow, and the manipulation of light; it was also the moment that I realized how to connect all of my interests together. Cut paper in the form of lettering could yield shadow and light shapes that could be photographed, as they are cast on a desired area. This was the branch that I needed to bring my interest of cut-paper and light into graphic design.
As I developed the theme of my show, I knew from the start that I wanted to work with the theme of anxiety. Contrary to this interest, at first I tried to find a different theme, because I was concerned that I shouldn’t address mental health unless I was an Art Therapy Major. After a series of research, I learned that promotional campaigns like the “Truth Campaign” utilized advertising elements, posters, brochures, and other print works and graphic arts to bring awareness to an issue. This was the connection, and the reasoning to defend and link my motivation to work with the topic of Anxiety. Anxiety is a very personal topic for myself and within my family history. It was a battle I found myself fighting more as my college career ran its course. After reaching my turning point Junior year, a time which I reached both my lowest point emotionally, and found a solution that significantly helped my mental health, I knew that I wanted others to more than just accept, but truly have a sense of understanding about anxiety.
The exhibition received more positive feedback than I could have anticipated. Many of the viewers had told me that they were personally able to connect with one of the elements or pieces within my show. There was a social anxiety area, posters with strong images and visuals, informational brochures and a booklet, and elements to subconsciously evoke responses similar to that of someone with anxiety. Examples such as posters being off kilter to address OCD, cut paper on the floor to bring hesitant reactions, glass plates to create loud abrupt noises, and interactive booklets to suggest repeated motion and analyzing. I was happy to know that people who entered the space where able to learn both factually, and through experiencing some of the feelings and emotions of anxiety. I thought that the most interesting feedback I received was how others who suffer from anxiety found comfort in the space, because they felt understood, and that they were given a voice into a silent and abstract emotion.
Created for Parker Labs (in Fairfield NJ), this mobile app design serves in displaying the benefits of purchasing UltraDrape verses alternate UGPIV methods through a series of pages where clients can select the materials they would purchase and see a side-by-side comparison on cost efficiency.
Created 2018 Cerami Worldwide Communications
The Connect Newsletter is a monthly released publication for the donors and supporters to the Englewood Health Foundation. The content and design was produced at On the Mark Communications, in Clark, NJ, in 2020
Produced for Feiler Dental Associates, in 2020
Below is a series of postcard designs; two for Helix Pain Relief, and two for Silver & Gold Buying Center.
Series 1 and 2:
The two Helix postcards are designed as package inserts, intended to match a series of collateral (whose other elements were designed by team members). Created at/by Cerami Worldwide Communications in Fairfield, NJ, in 2018
Series 3:
National Doctors’ Day Ad for mail to supporters and donors of the Englewood Health Foundation. Created at/by On the Mark Communications in Clark, NJ, in 2020
Series 4:
Created for mail to supporters and donors of the Englewood Health Foundation. Created at/by On the Mark Communications in Clark, NJ, in 2020
Series 5 and 6:
The two postcards for the Silver & Gold Buying Center are designed as advertisements found on countertops and mail. The first (3rd on the list) is an all year-round design, while the second (4th on the list) is a Holiday design. Freelance, in 2022
*Disclaimer:
The following presentation and collateral are for demonstration purposes only. It is not affiliated with published content by its respective brand. Created as a design assignment for an interview in 2020.
Emerald Logos: Designed at Cerami Worldwide Communication, in 2019
Finance Logos: Freelance, in 2018
Freelance, 2022
Freelance, 2021
Freelance, 2021
Freelance, 2021
Freelance, 2018
Freelance, 2018
Cerami Worldwide Communications, 2018-2019
Social Media collateral designed for platforms such as Facebook, Twitter, LinkedIn and Instagram, Freelance and Cerami Worldwide Communication, 2018-2019
Feiler Dental Associates, in 2020
Disclaimer:
The ColourPop, Toyota, and Center for Safety and Change eblasts are not affiliated with published content by their respective brands. Each are used for demonstration purposes only. 2019-2021