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Christina Jean Campos

  • Home
  • About
  • User Experience
  • Graphics & Production
  • PORTFOLIO
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Graphic & Production

A foundation in graphic design that supports structured thinking, scalable systems, and real-world execution across digital and print environments.

Designing beyond static—integrating interaction into both digital and physical experiences.

 

Make it stand out

Whatever it is, the way you tell your story online can make all the difference.

Design Foundation & Application

    • developing cohesive brand systems across digital and print

    • establishing visual hierarchy, typography, and color standards

    • ensuring consistency across campaigns, platforms, and touchpoints

    • translating brand strategy into scalable design assets

    • designing multi-channel campaign assets (social, email, web, print)

    • creating visually consistent and goal-driven marketing materials

    • adapting creative across formats while maintaining brand integrity

    • supporting engagement through clear, structured visual communication

    • extending interaction principles beyond digital into non-traditional formats

    • applying UX principles to layout, readability, and user flow

    • creating responsive and adaptable digital assets

    • collaborating with developers through structured design handoff

    • accounting for screen positioning and user interaction zones in layout decisions

    • social media and campaign asset design

    • email marketing design (Constant Contact, Mailchimp)

    • digital advertising and promotional graphics

    • template-based website and content design

    • designing physical materials with interactive and experiential intent

    • designing print-ready materials with production accuracy

    • preparing files for press, packaging, and large-format outputs

    • working within dielines, specifications, and physical constraints

    • ensuring quality, consistency, and brand alignment in final output

    • building scalable asset systems for efficient production workflows

    • managing file organization, versioning, and cross-platform consistency

    • packaging and large-format design

    • ensuring pixel-perfect execution across digital and print deliverables

    • working within regulatory, brand, and technical constraints

    • supporting QA, routing, and final delivery processes

    • visual storytelling techniques

    • typography, layout, and grid systems

    • visual hierarchy and composition

    • color theory and brand application

    • branding and identity development

 

Make it stand out

Whatever it is, the way you tell your story online can make all the difference.

Extended Capabilities

 
    • creating training guides and instructional materials

    • documenting workflows and design processes

    • supporting onboarding and team knowledge-sharing

    • HTML/CSS editing for layout and styling

    • structuring content for usability and readability

    • adapting designs across digital and web platforms

    • SurveyMonkey & SmartSurvey (advanced logic, survey structuring, and user data collection)

    • Constant Contact & Mailchimp (email design, campaign setup, and audience segmentation)

    • Social media content creation, scheduling, and platform management

    • photography for marketing and brand use

    • photo editing and retouching

    • creating original visual assets and supporting imagery

    • using AI tools for ideation, research, and efficiency

    • integrating AI into creative and production workflows

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work affiliations:
Past & Present

  • Highlights

    • De-facto UX Designer for Studio department

    • Development of internal company training materials core programs skills
      (Figma, Slido, Survey Monkey, Logic Mapping & Programming, Adobe XD, Asset usage demonstration)

    • Develop utilization documents to propose use of technology integration to design materials (both print and digital) on client colateral across brands

    • Conduct first mechanicals, maintenance & edits, asset preps, disk releases & final routing documentations, mock-ups, and interactivity

    • Contribution on increased internal process efficiency

    • Member on the internal social media planning and development team

    • Member on “Figma Task Force” - an internal team, paving the education & transition across departments in program efficiency

    • UX management and design of internal and client surveys and quizzes

    • Digital asset management with multi-departmental development and brands

    Project Types
    Print & Digital Collateral: Mechanicals, Edits, & Disk Release/Finals; Asset-preps for Websites, Animated/Static Banner Ads, Applications, Social Media, & Emails; Routing Documents, Screenshot and Mock-up documentation; Schematics & Directives; Trade Show Materials; PowerPoints & Training Education Materials; Print & Interactive/Fillable Forms; Skip Logic Programming & Logic Maps; Social Media Content; Quizzes and Interactive Surveys; UX and Programming Build

    Technology
    Photoshop, Illustrator, InDesign, Figma, AI, XD, Acrobat, PowerPoint, Microsoft Office, Microsoft Forms, Smart Survey, Survey Monkey, Miro, Slido

    • Collaborated as a marketing voice on the Advisory Board to enhance school enrollment and fundraising

    • Conducted SEO analysis to improve search clarity on social platforms within the community

    • Developed a comprehensive advertising plan that contributed to winning the gold medal for the Best of Essex Awards; earning the school a 10% enrollment increase the following year

    • Spearheaded the initiative to establish an independent internal creative marketing team for securing grants and funding

    • Graphic Designer for print and digital media

    • Conceptualize and design email marketing campaigns

    • In-house and event photography for media and websites

    • Creating visual collateral and copywriting for social media accounts


    Project Types
    Print Collateral, Surveys, Websites Edits, Emails, Photography, Social Media, Research, Copywriting Technology: Photoshop, Illustrator, InDesign, XD, Acrobat, DSLR Camera, Constant Contact, Mail Chimp, Social Platforms: Facebook, LinkedIn, X (formerly known as Twitter), and Instagram

    • Graphic Designer for print and digital media

    • Conceptualize and design email marketing campaigns

    • Creating visual collateral and copywriting

    Project Types
    Print Collateral, Surveys, Websites Edits, Emails, Photography, Social Media, Research, Copywriting Technology: Photoshop, Illustrator, InDesign, XD, Acrobat, DSLR Camera, Constant Contact, Mail Chimp, Social Platforms: Facebook, LinkedIn, X (formerly known as Twitter), and Instagram

    • Create and update designs for print and digital collateral for client events, emails, media, and websites

    • Brainstorming and conceptualizing new ideas for social media campaigns

    Project Types
    Print Co-lateral, Websites Assets, Social Media Content Technology: Photoshop, Illustrator, InDesign

  • Hightlights

    • Graphic Designer for print and digital media

    • Conceptualize and design email marketing campaigns

    • In-house and Product photography

    • Creating visual collateral and copy writing for social media accounts, co-creation, edits, and maintenance of digital art and assets for websites and media

    Project Types
    Print Co-lateral, Product Labels and Packaging, Ads, Assets, Logos, Tradeshow Materials, E-blast Images, Website Assets, Product Shots and High-end Photo Retouching, Internal Photography for social media and website, SEO Reports and Analytics, Assist in Copy Writing, Research, Back-end Website Editing, Social Media Content Copyrighting, Image Creation, Monitoring, and Maintenance

    Technology
    Photoshop, Illustrator, InDesign, Acrobat, Dreamweaver, WordPress, SquareSpace, DSLR Camera, Google Analytics.

    Social Media
    Management for company and client accounts, conducting research and content generation, digital art creation (such as weekly posts, banners, calendar, and status updates), continuous account maintenance and monitoring, scheduling content, and account analytic reports and optimizing growth. Focusing on Facebook, Twitter, LinkedIn and Instagram) (utilizing Hootsuite) Social Media

    Accounts Managed
    Cerami Worldwide Communications, Parker Labs, The Lamplight, and Ben's Bombs

  • Item description
 

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Professional Coursework

  • Digital Art I
    • Code, Credits Earned, & Grade:
    AR-220 / 3.00 / A-

    Typography I
    • Code, Credits Earned, & Grade:
    AR-248 / 3.00 / B+

    Graphic Design I
    • Code, Credits Earned, & Grade:
    ‍ ‍ AR-224 / 3.00 / A-

    Digital Photography I
    • Code, Credits Earned, & Grade:
    ‍ ‍ AR-229 / 3.00 / A-

    Digital Imaging
    • Code, Credits Earned, & Grade:
    ‍ ‍ AR-350 / 3.00 / A-

    Typography II
    • Code, Credits Earned, & Grade:
    AR-358 / 3.00 / A-

    Digital Photography II (Independent Study)
    • Code, Credits Earned, & Grade:
    AR-308 / 3.00 / A

    Graphic Design II
    • Code, Credits Earned, & Grade:
    ‍ ‍ AR-348 / 3.00 / A

    Web Design I
    • Code, Credits Earned, & Grade:
    ‍ ‍ AR-357 / 3.00 / A

    Identity Design
    • Code, Credits Earned, & Grade:
    AR-339I / 3.00 / B+

    Field Internship I
    Cerami Worldwide Communications
    • Code, Credits Earned, & Grade:
    AR-487 / 3.00 / A

  • World Art I
    Writing Intensive
    • Code, Credits Earned, & Grade:
    AH-212 / 3.00 / A-

    World Art II
    • Code, Credits Earned, & Grade:
    AH-215 / 3.00 / A-

    Modern Art
    • Code, Credits Earned, & Grade:
    AH-214 / 3.00 / A-

    Design History
    • Code, Credits Earned, & Grade:
    AR-206 / 3.00 / A-

  • Drawing I
    Code, Credits Earned, & Grade:
    AR-111 / 3.00 / A-

    2D design
    Code, Credits Earned, & Grade:
    AR-131 / 3.00 / A

    3d design
    Code, Credits Earned, & Grade:
    AR-118 / 3.00 / A-

    Color Theory
    Code, Credits Earned, & Grade:
    AR-204 / 3.00 / A

    Painting I
    Code, Credits Earned, & Grade:
    AR-280 / 3.00 / B+

    Sculpture
    Code, Credits Earned, & Grade:
    AR-250 / 3.00 / A-

    Life Drawing & Anatomy
    • Code, Credits Earned, & Grade:
    AR-227 / 3.00 / A

  • Junior Comprehensive
    • Code, Credits Earned, & Grade:
    AR-310 / 3.00 / A

    Mediated Identities: Experience & Understanding
    • Code, Credits Earned, & Grade:
    AH-210 / 3.00 / A

    Intaglio / Print Making
    • Code, Credits Earned, & Grade:
    AR-315 / 3.00 / A-

    Video Recording / Interview
    “The Dominican Sister’s Oral History Project”
    Indenpendant Study
    • Code, Credits Earned, & Grade:
    AR-499 / 3.00 / A

  • Senior Seminar
    • Code, Credits Earned, & Grade:
    AR-455 / 2.00 / A

    Advanced Portfolio Design
    • Code, Credits Earned, & Grade:
    AR-437 / 3.00 / A

    BFA Thesis & Exhibition
    • Code, Credits Earned, & Grade:
    AR-466 / 4.00 / A

  • Link to Caldwell University’s Course Description Page

 

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Awards & Recognitions

  • GPA 3.86

  • Visit "Caldwell Success Stories"

  • Issued by the The Department of Visual Art & Design faculty, Kappa Pi is an international honor society with 100 years of history and recognition. It supports and recognizes excellence in talent and creativity, determined after review portfolios by te art department faculty.

    View details

    Eligibility Requirements:

    • completion of 12 semester hours in art

    • attainment of an overall B average in all art courses

    • an overall academic average of a C

    • produce outstanding artwork

  • The Beta Delta Chapter of Delta Epsilon Sigma is a national scholastic honor society for students of colleges and universities with a Catholic tradition.

    View details

    Eligibility Requirements:

    • Undergraduate Students

    • Completed at least 60 credits towards their baccalaureate degrees

    • Minimum overall GPA of 3.60

  • View details

  • Earned partial Art Department Scholarship
    View Scholarship Credentials

  • The Division 2 Athletics Directors Association’s Academic Achievement Awards. A program that recognizes the academic accomplishments of student-athletes at the Division II level.

    For a student-athlete to receive an Academic Achievement Award, they must have a cumulative grade point average of 3.5 or higher on a 4.0 scale, have attended a minimum of two years (four semesters) of college level work and have been an active member of an intercollegiate team during his/her last academic year.

    View details

  • Four-year / Eight-semester
    Dean’s List Scholar & Student Athlete of Track and Field

  • The “SisterStory” oral history project at Caldwell University

    View details

 

Make it stand out

Whatever it is, the way you tell your story online can make all the difference.

Find Caldwell University’s
BFA Program details at…


BFA Transcript 2014-2018
BFA Thesis Exhibition
Kappa Pi Honor Society Alumni Exhibition
Featured Student Success Story
Caldwell BFA Details
 
 
 
 

"Masked" - Campaign

My Senior Thesis Exhibition theme and topic, was something that I have be thinking about since it was first explained to me in my Freshman year at Caldwell University. As I started my classes, I considered what kind of skills I could push forward with, and how can I challenge myself with them. Over the course of the next three years I knew that I was going to find a way to incorporate cut-paper (using an x-acto knife) into my exhibition work. The struggle of this, however, was trying to merge it with my major in graphic design. During my junior year when I started to take photography courses, it all came together. Not only was this the start of my fascination with shadow, and the manipulation of light; it was also the moment that I realized how to connect all of my interests together. Cut paper in the form of lettering could yield shadow and light shapes that could be photographed, as they are cast on a desired area. This was the branch that I needed to bring my interest of cut-paper and light into graphic design.

As I developed the theme of my show, I knew from the start that I wanted to work with the theme of anxiety. Contrary to this interest, at first I tried to find a different theme, because I was concerned that I shouldn’t address mental health unless I was an Art Therapy Major. After a series of research, I learned that promotional campaigns like the “Truth Campaign” utilized advertising elements, posters, brochures, and other print works and graphic arts to bring awareness to an issue. This was the connection, and the reasoning to defend and link my motivation to work with the topic of Anxiety. Anxiety is a very personal topic for myself and within my family history. It was a battle I found myself fighting more as my college career ran its course. After reaching my turning point Junior year, a time which I reached both my lowest point emotionally, and found a solution that significantly helped my mental health, I knew that I wanted others to more than just accept, but truly have a sense of understanding about anxiety.

The exhibition received more positive feedback than I could have anticipated. Many of the viewers had told me that they were personally able to connect with one of the elements or pieces within my show. There was a social anxiety area, posters with strong images and visuals, informational brochures and a booklet, and elements to subconsciously evoke responses similar to that of someone with anxiety. Examples such as posters being off kilter to address OCD, cut paper on the floor to bring hesitant reactions, glass plates to create loud abrupt noises, and interactive booklets to suggest repeated motion and analyzing. I was happy to know that people who entered the space where able to learn both factually, and through experiencing some of the feelings and emotions of anxiety. I thought that the most interesting feedback I received was how others who suffer from anxiety found comfort in the space, because they felt understood, and that they were given a voice into a silent and abstract emotion.

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Mobile App Design

Created for Parker Labs (in Fairfield NJ), this mobile app design serves in displaying the benefits of purchasing UltraDrape verses alternate UGPIV methods through a series of pages where clients can select the materials they would purchase and see a side-by-side comparison on cost efficiency.

Created 2018 Cerami Worldwide Communications

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Medical Monthly Newsletter

The Connect Newsletter is a monthly released publication for the donors and supporters to the Englewood Health Foundation. The content and design was produced at On the Mark Communications, in Clark, NJ, in 2020

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Dental Newsletters

Produced for Feiler Dental Associates, in 2020

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Postcard Designs

Below is a series of postcard designs; two for Helix Pain Relief, and two for Silver & Gold Buying Center.

  • Series 1 and 2:
    The two Helix postcards are designed as package inserts, intended to match a series of collateral (whose other elements were designed by team members). Created at/by Cerami Worldwide Communications in Fairfield, NJ, in 2018

  • Series 3:

    National Doctors’ Day Ad for mail to supporters and donors of the Englewood Health Foundation. Created at/by On the Mark Communications in Clark, NJ, in 2020

  • Series 4:

    Created for mail to supporters and donors of the Englewood Health Foundation. Created at/by On the Mark Communications in Clark, NJ, in 2020

  • Series 5 and 6:
    The two postcards for the Silver & Gold Buying Center are designed as advertisements found on countertops and mail. The first (3rd on the list) is an all year-round design, while the second (4th on the list) is a Holiday design. Freelance, in 2022

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Dawn Levy Campaign

*Disclaimer:
The following presentation and collateral are for demonstration purposes only. It is not affiliated with published content by its respective brand. Created as a design assignment for an interview in 2020.

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Logo Designs

Emerald Logos: Designed at Cerami Worldwide Communication, in 2019

Finance Logos: Freelance, in 2018

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Business Cards

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Print Ads

Cerami Worldwide Communications, 2018-2019

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Social Media Graphics

Social Media collateral designed for platforms such as Facebook, Twitter, LinkedIn and Instagram, Freelance and Cerami Worldwide Communication, 2018-2019

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Dental Class Brochures

Feiler Dental Associates, in 2020

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Email Blasts

Disclaimer:
The ColourPop, Toyota, and Center for Safety and Change eblasts are not affiliated with published content by their respective brands. Each are used for demonstration purposes only. 2019-2021

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Back to Graphics & Production
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"Masked" - Campaign
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Mobile App Design
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Medical Monthly Newsletter
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Dental Newsletters
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Postcard Designs
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Dawn Levy Campaign
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Logo Designs
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Business Cards
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Print Ads
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Social Media Graphics
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Dental Class Brochures
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Email Blasts
 

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